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ARTICLES

The following links are to articles I have written that appear online (on this website as well as external sites):

  • HISTORY OF THE LUCKNOW TABLA TRADITION

    I began studying tabla with Manikrao Popatkar in England in the 1970s, but late in 1980 I first traveled to Lucknow to conduct anthropological and musicological fieldwork for my Ph.D. During the 1980s I had the good fortune to be accepted as a disiciple of Ustad Afaq Hussain Khan, the doyen of the Lucknow tabla gharana and a man widely acknowledged to possess incomparable knowledge and technique. This article presents a brief summary of the history of the Lucknow tabla gharana. It also contains some audio and video samples. Further details on the Lucknow tradition can be found in my book, The Tabla of Lucknow (pages 69 to 81).


  • TOWARDS A NOTATION SYSTEM FOR INDIAN DRUMMING

    There is no standardized notational system for Indian drumming, despite the fact that efforts by Indian scholars and musicians began back in the late 19th century. I first began to experiment with notational symbols for Indian drumming after an encounter with the Swiss tabla player Juerg Wueterich in Calcutta in 1981. I continued to develop my system, and the one I currently use can be found in my recent work (see publications).


     

  • SOME THOUGHTS ON A FAMOUS GANESH PARAN

    It is unclear whether the recitation of bol parans (parans made from real words, usually a shlok with devotional content) is an ancient practice or a modern one made to seem old. One in particular has become very popular, and is discussed here.


     

  • NATTHU KHAN AND THE DELHI PEHSKAR

    Natthu Khan (1875-1940) was a pioneering tabla player of the Delhi gharana, and was probably responsible for popularizing peshkar and the qaida. Yet in the only recording we have of him playing peshkar, there are several surprises. I include here my transcription of this peshkar, as well as the recording.


     

  • GENERALOGICAL MUSINGS: A BRIEF DISCUSSION OF THE DELHI TABLA GHARANA

    During my fieldwork in the 1980s I collected genealogical information from Inam Ali Khan (1924-90), the khalifa of the Delhi tabla gharana. The family tree and its curiosities are discussed here.


     

  • FOLK GROOVES AND TABLA TALS

    This paper, first delivered at the 2000 conference of the Society for Ethnomusicology and published in UCLA's online journal ECHO, explores the folk roots of many common tabla tals, and concludes that there are important socio-musical reasons for differences in the metric logics of pakhavaj and tabla tal structures. The article includes several audio and video samples. (However, some of the links may now no longer work.)


     

  • A LA RECHERCHE DU TEMPS MUSICAL

    An article in the French journal Temporalistes discussing the nature of musical time as found in different traditions, with particular discussion of Hindustani music.


     

  • LUCKNOW KATHAK DANCE

    An article written jointly with Andréine Bel and based on interviews with the doyen of the Lucknow kathak gharana, Birju Maharaj.